jennifer_brozek: (Default)

by Jennifer Brozek

15. June 2017 07:55

“Write every day.” I hear this writing advice bandied about over and over as if it were the one golden truth. In some ways it is. In a literal sense, it’s pure poppycock. There is a lot more to writing than stringing words together in some semblance of a sentence and putting it down on paper. For me, “writing” involves everything from daydreaming, brainstorming, outlining, plotting, character creation, world building, putting words to paper, re-outlining, sounding boards, and staring into space while the voices in my head argue without me interfering.

“Live your art every day.” ~John P. Murphy

Yes, putting words on a page in a consistent fashion is important. It is one of the most important things you do as a writer. Write one word at a time until you are finished. However, unless you have a good foundation, your house of words is going to come crumbling down the first time someone (your inner critic?) asks, “Why would that happen?” A good foundation comes from careful thought, long experience, or both.

“Live your art even if you can’t practice it daily.” ~Jason Sanford

Just as important—and largely ignored—is the author’s need to think, to consider, to ponder the work they are creating. You may see me playing a puzzle game on the outside, but on the inside, I’m working out what went wrong in the previous scene. You may see me doing the dishes or pacing around the dining room table and all the while I’m mentally writing the pivotal scene that’s coming up next—trying out different tacks, different reactions, different tones. You may see me sitting somewhere drinking a cup of tea. On the inside I’m watching a furious discussion going on between two characters.  I may not use what I dream up in a specific sense, but it will inform my writing on the world and how the characters act.

What I’m getting at is that thinking, fantasizing, and daydreaming is just as important as putting words to the page. “Write every day” doesn’t cover this. At least, not in a literal sense. This is super important for authors to know. There is value in doing “nothing” on the outside. Even for people who don’t like to outline. It may be more important for those who don’t outline because the more they think about what they’re going to write, the better their foundation will be.

“Do what you have to do in order to ensure that today is not the last day you write.” ~Matthew Bennardo

Also, there is the practical aspect of writing every day. Authors have jobs, families, health issues, and general responsibilities. Sometimes, they can’t physically put words on the page on a daily basis—for whatever reason. A good example of this for me is when my editing schedule goes pear-shaped and I literally only have 15 minutes that day to “write.” Sometimes I write. My log shows “Wrote 12 words on WIP.” Those one or two transitional sentences could’ve taken me three hours to figure out (while I was cleaning, eating, driving, showering) and cleared the way for tomorrow’s 2000 words. Sometimes, my log shows “Re-outlined WIP.” I tend to re-outline my novels 1-2 times during the first draft phase. I often add to the outline when I’m doing my first read-through so I know I need to add in more details, foreshadowing, or an explanation for something that wasn’t as obvious as it should have been.

“Do something writing related daily and no, promotion doesn’t count.” ~Raven Oaks

I know it is important to work on your current WIP as consistently as possible. Sometimes, a direct command to “write every day” is what we need to get things moving forward in the beginning. I want to point out that that doesn’t always mean something as tangible as a word count. Everything else is as important. Maybe this is something you learn as you level up in your craft, but I wish I’d learned it a little bit earlier in my writing career. Then I wouldn’t have beaten myself up as much for not getting my “2000 words a day” in.

I’m just glad, ten years in, I’ve finally figured out a workable meaning for “write every day.” For me, it means “Live my art daily.” When this advice is proclaimed at a convention, event, or online, I add my two cents to the conversation. Thinking is as important as writing.

This blog post is brought you by the letter W, the number 3, and a twitter conversation I had.
jennifer_brozek: (Author Dec 2014)

(Crossposted from Jennifer Brozek)

At the Rainforest Writers Retreat, I wrote 28,000+ words in 5 days. This was a mistake for me and the way I write. I’m not saying that I regret my adventure at Rainforest. I don’t. Here’s pictures of me in the waders and wading through Lake Quinalt to get to my cabin. That part was awesome.




I say writing that much was a mistake because the moment I got home and started editing my work, I realized a few things:
1. My prose was a disaster.
2. My story foundation was on shaky ground.
3. My pacing was off.
4. I forgot a number of pivotal scenes and details.
5. There was so much to fix, I wasn’t sure where to start.

In the end, I determined that while I understood where my story was going, I had to treat the 28,000+ words as a long outline and reset my manuscript to the point I was at before I arrived at Rainforest. It would’ve been too much work to try to patch up what I’d written.

There’s something else I realized: I’m tired.

I’ve written 2+ books / year for more than three years. I’ve edited three times that many. I’ve pushed myself hard. I need to slow down. Just a little. This is the first book in a new series in a sprawling world. I love what I’m creating for Fever County. That’s why I need to do this first book right. Yes, I know what the second book is already. But it depends on me getting the first book set, grounded, and written to my satisfaction.

I’m not saying that I won’t write two novels this year. I’m saying that I’m going to give myself permission to slow down. If that mean only one novel and a couple of short stories? So be it. I know I have novel revisions coming. At least 2 of them. So, if that means I’m writing only 500-1000 words a day, then spending the rest of the time cleaning out my drawers, cupboards, and closets, before doing novel revisions? Awesome.

I’m a little surprised that it’s taken me this long to get to this point. To realize that Fever County is too important for me to rush through it. I suppose this is one of those leveling up things as an author.  Not to mention a reminder that every author approaches their work differently.



jennifer_brozek: (Author Dec 2014)

(Crossposted from Jennifer Brozek)

Here is a paraphrased IM conversation I had with Seanan from Wednesday morning, the 23rd (mostly because I can’t find the chat log).

Seanan: Yay!
Jenn: Yay?
Seanan: Have you looked at your email today?
Jenn: No. Didn’t sleep well last night. Guess I should.
Seanan: Go read your email, hon.
Jenn: Oh! Oh! Yay!
Seanan: Yay!!
Jenn: Thank you. I was a little afraid of reading my email this morning because of this.


I read my email and discovered that The Last Days of Salton Academy has been nominated for the Bram Stoker award. My imposter syndrome had convinced me that I would never make the ballot two years in a row. It’s why I didn’t sleep well the night before the announcement and why I was afraid to check my email that morning. I didn’t want to face the disappointment.



Being a finalist for an award is awesome. Especially something like the Bram Stoker award.

However, being a finalist for an award for the second time is even better—for me that is. There’s something wonderful and concrete about the second finalist nomination. It tells me:
…I wasn’t ‘just lucky’ the first time.
…It wasn’t a pity vote.
…It wasn’t just my friends voting for me.
…I do have skill and talent as an author.
…It validates me as a creative professional.

Imposter syndrome is a green-eye monster that wants your attention. It doesn’t want you working on the next thing. It doesn’t want you to celebrate your wins—no matter how large or small. It wants you spiraling into its clawed embrace with no way out. With this repeat nomination, I have a reprieve from imposter syndrome’s ever-present looming nature. At least for a little while.

I’m happy. I really am.

Of course, I want to win the Bram Stoker award. The Last Days of Salton Academy is a good book. Also, that haunted house statue would look lovely on my brag shelf. It really would. Until then, I really am honored to be Bram Stoker nominee again.


jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

Five days in the rainforest with minimal internet, an outline, and someone to compete with = 28,356 words written. I am brain fried and dead. I don’t actually recommend this to anyone. I took Monday off writing to recover a bit and it was needed.

All day Monday, while I did other things and played PokemonGO, I kept thinking of things I forgot to add into the manuscript. From descriptions to full scenes. I’m probably going to spend the next two days editing what I wrote to see what else I missed and add it in. Then I’ll feel comfortable enough to continue on. I just feel like my narrative foundation is a bit too cracked and shaky.



View from the 2nd floor Parkside Suite, Thursday morning. Before they brought me a boat and waders.


Beyond teaching a session at RWR, I got to experience the adventure of having Lake Quinalt rise two feet. The Husband thought we might have to evacuate. We didn’t, but I did have to borrow thigh-high waders to get to and from the rest of the resort for two days. A couple of attendees who didn’t know me thought I was part of the Park Service. It was a fun and interesting experience. I’m glad the lake didn’t have a current. I put more pictures and a video of it up on my Facebook.



What Lake Quinalt usually looks like. Saturday morning.


Also, while I was in the land of no internet, the podcast of my short story, “Endless and the End,” went live on The Overcast. My story is episode 49. It’s my creepy little steampunk story inspired by the likes of The Mummy and the casual game Bejeweled. The end of the story includes an afterword by me and a "warning" from The Overcast. I hope you listen to it.


 


 

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

Article: Learn From Autistics - Voices From the Spectrum #26: Jennifer Brozek on Creating Neurodiverse Characters.

Article: How to Escape the Slush Pile: A self-editing checklist for short story writers by Brandon Taylor. Just an article I think is worth reading.

Awards: The Last Days of Salton Academy is listed on the 2016 Bram Stoker Awards Preliminary Ballot for Superior Achievement in a Young Adult Novel. I will find out if it a finalist on the 23rd. So, yay! Cross your fingers for me.

Review: Another review of the Karen Wilson Chronicles. This short one is from Germany. They liked it.

Review: On Goodreads - Just got a lovely review for NEVER LET ME, the Melissa Allen omnibus. These are always nice to read.

Writing: Chuck Wendig: Why Persist As A Writer In Times Of Such Heinous Fuckery?

Writing: Kameron Hurley: How to Keep Writing Through Times of Great Political Upheaval

Writing: Jennifer Brozek: Self Care and the Creative in Turbulent Times.

jennifer_brozek: (Author Dec 2014)

(Crossposted from Jennifer Brozek)

A lot of people—including me—are experiencing a wide variety of distressing emotions in regards to what’s going to on right now in the world. Sometimes, it’s hard to create when the world feels like it’s on the brink of a disaster there’s no turning back from. What good is a short story or a piece of art in the face of that?

Everything. Absolutely everything.

In-between the real life horror of politics, protests, cruel laws, crueler enforcement of those edicts, and numerous other terrible things, those who fight need a space to go to recharge, a respite, a safe fictional place or a piece of beauty to remind them what they are fighting for.

Still, it’s hard to reach for the life-saving, life-affirming creative work. This is why self care for the creative is so important. Here are a couple of suggestions to add into your daily life.

UNPLUG
Daily or at least weekly, schedule time to get away from the 24/7 news. Unplug from the internet. Whatever is happening will still be happening when you get back. I choose at least 2 hours away every other day. Being online is part of my job, but I don’t need to be connected all the time. If it is an emergency, those who need it have my phone number.

COMFORT ACTIVITY
Enjoy an activity you know you like. Watch reruns of a favorite TV show or movie. Listen to music. Listen to an audiobook. Crochet or knit. Read comfort books and comics. Cook a grand meal for one or many. Meditate. Do something you know you enjoy. Let yourself get lost in it. Forget about the world and its troubles as much as you can for as long as you can. It will be there with you get back. Dedicate this time to you. Bob Ross and I are becoming very good friends again.

MOVE
I’m not telling you to exercise—though exercise is a good thing to do. But walk away from your desk, your computer, your phone (turn your phone off if you can’t stand to leave it behind). Window shop at the mall or the bookstore. Go to the lake and watch the waves for a while. Visit that nearby museum that tourists always go to, but you’ve never visited. Get out of the physical space you are usually in. This helps your mindset. Even if it’s just a walk around the block or to pace the stairwells in your office building. For me, I play Ingress and PokemonGO.

These are all coping mechanisms that I use. Creatives have deadlines and decisions to make that don’t go away. Writing, painting, carving… creating… while in the midst of turbulent times can be the hardest thing to do, but that is when the world needs us most.

Finally, after you have taken some time to care for yourself, you can ENGAGE with the world again. Volunteer. Protest. Call your representatives. Donate to the cause. Do as much or as little as you are able to. Remember, your creative work may be the thing that recharges another so that they may also create while working towards their political and social goals.



Cat pictures always help.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

As I finish up my work from 2016, I’ve decided that 2017 is going to be a year of experimentation. I have very few deadlines scheduled for me. The month of January is taken up with completing the tie-in story due this month and final edits to Sekrit Project Alex. After that, my year is mostly open. I will assign my own deadlines and stick to them.

This is the time to experiment. Under the Apocalypse Ink Productions umbrella, I have two really interesting projects (in addition to the books we’re already doing).

The first is the “Five Minute Stories” podcast. This podcast will run for thirteen weeks. I’ve never done a podcast. This will be a series of flash fiction pieces, old and new, written and read by me; hosted and produced by AIP. This podcast is for me to figure out whether or not I like podcasting as a storytelling medium. If I discover I like it, I’ll write and produce an original podcast story. If I don’t, I’ll consider the next option.

The second is The Prince of Artemis V comic. I’ve wanted to do a comic book for a long time. The Prince of Artemis V is my most popular short story. I’ve signed a contract with an artist to do the comic and, already, she’s bringing the goods to the table. I can’t wait to see how it all shakes out in the end.

The third is to publish at least one short story as a Kindle Single. This is mostly to figure out how this works and if it is a viable thing for the future. As a full-time freelance author/editor, I must always diversify my revenue streams. It might be a good outlet for my erotica writing (under a different name).

Getting down to the nitty-gritty of writing goals for 2017, I want to write at least six new short stories and get them out to market. That is a good goal as far as short stories are concerned. They are a good thing to write in-between novels.

As for novels, I plan to write at least two novels in my new teen horror series called Fever County. I’m super excited about this series. I’ve already created the world and set up a map as well as done a lot of the world building. More of that will happen as I write. I’ve got the 2 page synopsis of the first book completed with a paragraph synopsis of the second book completed.

When it comes to travel, I’m limiting myself in 2017. I do have 3 definite conventions and 3 one-day events on the schedule with 4 “maybe” conventions waiting in the wings for me to decide what to do with them. Most likely, I’ll only do 2 of the maybes. It depends on a whole lot of factors including time, effort, and money.

There you have it. There are a couple of other interesting things on the horizon, but nothing is contracted/set in stone. 2017 is going to be an experiment. I’m going to stretch myself in some uncomfortable ways creatively to see what happens. At the same time, I’m going to set up a writing schedule that lets me finish those 2 novels and 6 short stories. It’s a little scary to focus mostly on my own stuff after more than a year of tie-in fiction.

Not only am I ready for it, I’m excited for it. That’s the best feeling.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

Since I’ve figured out that I’m not going to write any more this year… Final stats for 2016. As a full-time freelancer, stats are important to me. They give me a concrete, discrete measurement for accomplishments. None of the word count below includes social media or blogs.

Year-to-date stats:
Fiction words written: 195,416 (2 novels, 1 novella, 12 short stories, 3 RPG projects)
Article words written: 25,780
My novels/collections edited: 11
My short stories proofed: 9
Other novels/anthologies edited: 14
Events attended: 12

Short Story Submissions:
Total subs: 19
Acceptances: 6 (35% average)
Rejections: 11
Pending: 2

This year was almost all tie-in fiction. 2017 will be all about my new teen series. (And, of course, all the edits for the turned in novels and novellas.)

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

Sekrit Project Alex already has revision notes back. So, I’m in the thick of that. I’m also almost done with an interview for a conventions and I’ve finished several interviews for The Last Days of Salton Academy as well as turned in another short story. Left this year… revisions and another tie-in short story that has been outlined and started and maybe do quickie RPG splat for a funded kickstarter. The year is wrapping up nicely.

Year-to-date stats:
Fiction words written: 185,645
Article words written: 23,200
My novels/collections edited: 11
My short stories proofed: 9
Other novels/anthologies edited: 14
Events attended: 12

One more of these after the new year, then I’ll have to think of something else to stat for you guys on a monthly basis. I like to mix it up. Next year, I’m going to attempt to do less conventions and 90% original, non tie-in fiction. But, the universe sometimes laughs at my plans.

jennifer_brozek: (Author Dec 2014)

(Crossposted from Jennifer Brozek)

As of this week, I have survived ten years as a fulltime freelance author/editor and created a career I am proud of. The past decade has been nothing like I expected it to be. When I began, I wanted to “just write” and to see if I could make it as an author. Within the first year, I started editing. Time has flown by as well as taken forever. I had a plan and a series of professional goals to meet. I have met every single one of these. Though… the last one, “get an agent,” happened in the last couple of months.


  • Sell short stories to pro markets

  • Get into SFWA with novels or short stories

  • Sell a novel

  • Sell a trilogy

  • Get an agent

  • Be invited to conventions as a panelist

Ten years later, I have discovered there were a whole lot more professional goals I wanted to achieve that I didn’t know I wanted to achieve when I started out. Some of them shocked me when they happened. (Honestly, some of them still surprise me when they occur.)


  • Sell a short story collection

  • Have a story listed in a “Best of” collection

  • Have my books become audiobooks

  • Have a stranger squee over my forthcoming presence at a convention

  • Have a stranger come to a multi-author event to see me specifically

  • Learn how to say “no” to a gig

  • Be nominated for an award – any award

  • Be nominated for a Hugo award and a Bram Stoker award

  • Be mentioned in Locus Magazine and Kirkus Reviews

  • Win an ENnie award, a Scribe award, and/or a Cleo (Origins Game Fair) award

  • Be a Guest of Honor of a convention in America

  • Be a Guest of Honor of a convention abroad (Sweden, Finland)

  • Become a Director-at-Large in SFWA

  • Become an adjective (a “Brozek” book or a “Brozek” anthology)

It’s been ten years. I’ve achieved so much and I’m so grateful to the people who have helped me along the way—editors, publishers, other authors, fans, cheerleaders, shoulders-to-cry-on, friends, family, and my husband. I’m not going to stop now. I just have to set goals for the future. Here are the ones I know I want to achieve:


  • Sell stories to Analog, Asimov, Psuedopod, and EscapePod

  • Sell stories to Ellen Datlow and to John Joseph Adams

  • Create a long-running Teen/YA series (6+ books)

  • Create a successful fiction podcast

  • Have someone option my work

  • Have my work become a TV pilot, TV series, and/or movie


The more I know about the publishing business, the more I can narrow down what I really want out of my career. Now that I have a wonderful agent, I can’t wait to see what the future holds for me.

In celebration, and out of duty, I have filed ten years worth of editing and writing contracts… much to the enjoyment and annoyance of my cats. (The red folder is filled with 10 years worth of editing contracts and the black one has 10 years of writing contracts.)


jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

I’m about to turn in Sekrit Project Alex and begin work on the extra bits I’ve been contracted for. Then I will work on the contracted short stories. With that, I will end my year of tie-in fiction and begin a year of my new YA series.

Year-to-date stats:
Fiction words written: 174,450
Article words written: 18,300
My novels/collections edited: 11
My short stories proofed: 8
Other novels/anthologies edited: 14
Events attended: 9

Event-wise, I should have only three events left and all of them are in November.



This November is very special to me. I’ve got a forthcoming blog post to explain why. It’s a milestone. A big one.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

I’ve started drafting the new tie-in novella, Sekrit Project Alex. This novella is due in early November. It’s got a very specific style of writing to it and is a demanding subject matter—yes, fans will know if I get something wrong. Not to mention, this project has one of the most technical and interesting editors I’ve ever had. I gotta get this one right.

When I’m drafting a long project (novella, short novel, novel) I move into a “drafting lifestyle.” I don’t do my usual internet tour in the morning. I get my coffee and I begin. I usually re-read and edit the last page I worked on. This puts me into the correct frame of mind and tone of the project. Then I work until I meet that day’s word count.

This isn’t to say I don’t take breaks. I do. I get breakfast. Sometimes I look at a video. Sometimes I look at a webcomic. These are all limited time breaks to let my hindbrain gnash through whatever I’m working on. I don’t play around on social media. No twitter, no Facebook, no Tumblr. None of that until I’ve gotten my word count done.

After I meet my word count for the day, I look at my outline to see what I’ll be focused on for the next day. I think about it throughout the day and am usually ready to work the next morning.

Some days the words come easier than others. Some days, I’m done by 10am. Some days, it’s noon or 1pm. The afternoons are for everything else—SFWA duties, editing projects, blog posts, social media, etc….

For the next 2 weeks, the afternoon is for working on my flash fiction ebooks. I’m prepping them and writing the new flash fiction pieces, for eventual publication. I’m examining each piece for podcast suitability. In early 2017, I plan to have the new podcast up and running. That means I’m doing a lot of foundation and prep work now.

But through it all, I’m still thinking about Sekrit Project Alex. It is my main focus. I’m drafting. I need to have it done by mid-October so I can do one full re-write before it is due in November.

I’ve warned all my friends that mornings are sacrosanct. No visits, no favors, no nothing unless it is an emergency. Afternoons are for those things. I’m fortunate that my friends and family understand when I’m drafting a novel, everything else is secondary.

That’s basically the novel drafting life for me. Morning novel work. Afternoons for everything else. If I fail at getting word count, nothing else gets done until the day’s word count is done.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

July was all about editing. At least it seems like it. Editing a novel for an agent. Editing a novel for EGM. Editing a novel and a novella for AIP. Doing some maintenance on 2 anthologies in progress—one reprint, one original. Editing a couple of my short stories and, editing the Speculate! story. My mind rebelled on all the editing and started a whole lot of background world building for the MG/YA series I’m going to start writing next year.

Year-to-date stats
:
Fiction words written: 135,810
Article words written: 15,000
My novels/collections edited: 5
My short stories proofed: 6
Other novels/anthologies edited: 10
Events attended: 6

August and September are going to be weird stat-wise because I’m doing so much traveling. Much of it will be in Europe. I do not expect to get /any/ work done.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

I finished up Makeda Red in June, did a couple of rewrites on short stories, and went to Origins Game Fair. This month will be all about editing for me, Apocalypse Ink Productions, and Evil Girlfriend Media.

Year-to-date stats:
Fiction words written: 135,810
Article words written: 14,120
My novels/collections edited: 4
My short stories proofed: 4
Other novels/anthologies edited: 7
Events attended: 6

Also, I participated in an hour-long SFWA roundtable, discussing the vote to admit game writers into the organization. This is something I’d worked for since I joined SFWA. I’m super happy about it.

Plus, I am the featured author at Capitol Indie Book Con in Olympia this month. Come by and say hello.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

May was more about finishing the novel than writing it. That, and going to StokerCon. This month, I will finish Makeda Red and turn it in. Then plot out the Battletech novel. I’m currently calling it The Gienah Incident. I don’t know if the title will stick. Also, there’s Origins Game Fair which will kill about a week’s worth of writing.

Year-to-date stats:
Fiction words written: 118,410
Article words written: 10,219
My novels/collections edited: 3
My short stories proofed: 2
Other novels/anthologies edited: 6
Events attended: 5

Also, I was interviewed on SFFWorld about my story in the Decision Points anthology.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

Yay for eight year wedding anniversary with my beloved Husband! He’s so awesome. On May 1st, he went hiking today to give me private, quiet time to work on MAKEDA RED. That’s love and marriage for you. Besides, Saturday, we went to a rock and gem show and bought a rock for our anniversary.

Year-to-date stats:
Fiction words written: 108,810 (Yes, that’s over 50,000 words in April.)
Article words written: 7896
My novels/collections edited: 3
My short stories proofed: 2
Other novels/anthologies edited: 5
Events attended: 4

I’ve got StokerCon and the Bram Stoker Awards to go to this month. My goal is to have the first draft of MAKEDA RED done before I leave. Then I can spend a month fixing it and freaking out when I get back and finish before I go to Origins Game Fair.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

I’m going to ignore that it is the first of April and pretend that “lie and be cruel to the people who trust you most” day doesn’t exist.

Year-to-date stats:
Fiction words written: 58,210 / 200,000
Article words written: 4230
My novels/collections edited: 3
Other novels/anthologies edited: 4
Events attended: 4 / 9

Mostly, I’m boring. I’m drafting my Shadowrun novel, MAKEDA RED. This means no social media until I hit word count unless there are extenuating circumstances… like picking up my new car.

I didn’t want to have to buy a new car, but mine got totaled at the end of February. I’m still reeling from sticker shock, but I do like my new car. It’s a Subaru Crosstrek Hybrid in sage green. I got my all wheel drive hatchback. The Husband got his hybrid. We’re both happy.

We think he’s told us his name but we’ve got to drive it a bit more to be sure.

jennifer_brozek: (Default)

(Crossposted from Jennifer Brozek)

This is a big Bubble and Squeek today. A lot stuff came in all at once.

Article: For writers on the SFWA Blog. How do you ask for blurb?

Article: I talk about my love of gargoyles on My Favorite Things.

Article: SFSignal MIND MELD: Second Chances. I talk about why I gave Stephen R. Donaldson a second chance.

Article: Over at Ragnarok Publications, I talk about how I used my anger to fuel my writing career in Dreamer No More.

Interview: Permuted Press asked me some great questions about NEVER LET ME SLEEP. We touch on body image and mental illness.

Interview: Over at Eating Authors I get to talk about ramen. Really, really good ramen.

Review: I get a nice shout out in this review of NOT OUR KIND from the Eviscerating Pen (what a lovely name!).

Pre-Order: Remember, you can pre-order NEVER LET ME SLEEP and the hard copy Melissa Allen compilation NEVER LET ME.  Also, if you missed it, here's a post that's all about my fabulous covers.

SFSignal: I gotta say it. I love seeing my name on SFSignal and in such good company, too.

jennifer_brozek: (Author Dec 2014)

(Crossposted from Jennifer Brozek)

Tomorrow, the Scribe Awards happen at SDCC. This is not a convention I ever intend to go to. I’m not sure how I would deal with the crowds. However, it’s got me thinking about awards again. I’m up for four awards with three different styles of nominations and voting for the win.

The Scribe Awards is a juried nomination and awarding system. Both of my nominated works were sent into the jury who decided on whether or not it should be nominated. Then that same jury chose the winner. This way is probably the smallest number of people to nominate and vote on the win.

The ENnie Awards is a juried nomination system followed by a popular vote. My work, Chicks Dig Gaming: A Celebration of All Things Gaming by the Women Who Love It, was sent in to the jury who decided on which works should be nominated. From July 4-14, anyone and everyone can vote in the ENnies. You do not have to vote, nor are you expected to vote, on every category. Chicks Dig Gaming is listed under Best RPG Related Product. If you are going to vote in the ENnies, I’d appreciate any love you could throw my way.

The Hugo Award is a limited popular vote for the nomination and a limited weighted vote system for the win. Only people who were at/supported the previous world con or are going to/supporting the current worldcon can nominate. Only the people who are going to/supporting the current worldcon can vote in the Instant Runoff System.

Three very different types of voting systems for three different types of awards. I’m really not sure which one I like better. Awards are a strange thing. They can be something you shoot for. Or something that you are surprised with. Or, something some people dread. Other people don’t care one wit about them.

I do care. I would be a liar if I said otherwise. I’d love to win at least one of these awards but, realistically, the nomination is all the honor I will enjoy.

They are all honors. I think my favorite part of the whole award process is the notification you’ve been nominated. It’s like lightening from the blue. 90% of the time, you can’t tell anyone for a couple of weeks. That’s the feeling I try to keep in the forefront of my mind as the ceremonies go on with or without me. That's what I recommend anyone who is nominated keep to the forefront.

I won’t be at the Scribe Awards. I will be at the ENnies and the Hugo Awards. Despite the nervousness that comes with being in attendance, I’m looking forward to both.

jennifer_brozek: (Author Dec 2014)

(Crossposted from Jennifer Brozek)

Blogging while writing a novel is boring from the outside. My head is filled with the wonderful and horrible things I’ve done, am doing, plan to do to my character. It’s also filled with the myriad of things I need to figure out or research to get the novel done. All I can show for it is “Wrote 1400 words today. Feel good about them.” Or “Got 600 words in today. It was like pulling teeth.”

No matter what I’m doing, half my mind is with my novel. My husband and close friends are used to me tangenting in a question that is related to my novel or breaking off to talk about something that’s just happened in the novel or talking about some research I just did and discovered something new that affects the novel.

I guess what I’m trying to say is, I don’t have anything to talk about except… I’m writing NEVER LET ME DIE and I’m feeling pretty good about it now. I guess my advice is to not even try to be interesting.

Here. Have some kitty pictures.



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