GenCon, as usual, was amazing. It really was. Some 37,000 people came through the convention and I got to see a lot of them from my place in the Writer's Symposium and in the Dealer's Hall. I had a good, if stressful time of it. Travel
Travel was interesting. On the way there, we couldn't have had a smoother time of it. On the way home, I was cursed with Mary Robinette Kowal's travel karma
from hell. The way home ended up with us being up for about 33 hours with 27 hours of those hours spent in airports or in the air.
I mean, our plane was diverted to Nashville because we didn't have enough fuel. This was amusing because AirTran just got bought by Southwest and we were the first AirTran plane to land at Nashville. There were a lot of curious Southwest workers peeking into the plane.
All I can say is that I'm glad the bad travel karma happened after the convention.Booth
I had my booth in Author's Avenue. I sold 90 of the 124 books, gave away 30 books to charity, contests and last day sales. It was a good time. I like the new set up for Author's Avenue in the middle of the Dealer's Hall. We got a lot of exposure and decent sales. I have to admit, it's nice to have a table to retreat behind with all of those people at the convention. It was extra awesome because Lily and Jeff worked the booth with me.Writer's Symposium
All my panels were early morning panels – 8am and 9am. Which is 5am and 6am my time. But I made it and I'd like to think I was coherent. It's nice to see writers come back again and again with intelligent questions. ENnies
So, this was the big deal for me. I didn't realize just how stressful it was to be at a convention where you are up for an award. Now I know. I almost didn't go to the ceremony. But, I did because, dammit, I wanted to be there if I won. And, guess what, I did win! I won the silver ENnie for the best electronic book for Shanghai Vampocalypse
, published by Savage Mojo. This is the RPG industry's equivalent of the Golden Globe awards.
I know I squeezed the heck out of Jeff's hand and he says I shrieked when Shanghai was announced. I can neither confirm or deny this. Heck, I can't even remember the applause as more than a rush of noise. This was my thought process: OMG, I won! I WON! OMG. Ok. Ok. Don't trip going up the stairs. Don't fall. Don't faint. Read your speech. Slow down, dammit! OMG. Wait for Aaron. Ok. Ok. Don't fall. There's Jeff! One stair at a time. Ok. OMG, I won!
That was it.
Here's my speech; short and simple: "I want to thank Martin Klimes and all of the people at Savage Mojo for their work on Shanghai Vampocalypse. In particular, Alan Bundock for his statting expertise and my artists, Aaron Acevedo and Jason Engle. Also, I want to thank my husband, Jeff, who, as a gamer, a geek and an engineer, is the perfect sounding board. Finally, I want to thank Ryan Macklin for making me write this acceptance speech."
I really didn't think I was going to win but I did and it was awesome.Future Projects
You know how I said before that August always brought changes? Well, this August is crazier than normal. Because of the ENnie (coupled with last year's win of the Origins award), I immediately was offered a number of big writing tie-in projects. These are the kinds of projects I have been working towards for years. Suddenly, just when I was shifting my career to editing/publishing with a little bit of writing, I am now back to lots of writing with a little bit of editing and no publishing.
I had to have a long talk with Apex about Black Room Publications and step back and managing editor. I will not have time in the next year. At all. I'm still with Apex, but I'll be back to assistant editor, conventions and the like. They are really happy for me.
As for the tie-in projects, they are fabulous and wonderful and exciting (and a little bit intimidating). I will announce them as contracts are signed and permission for public knowledge is given.